Saturday, January 31, 2009

Howard the Duck Planet

Here's another matte painting. Everything below the Dynatechnics sign is real. This was a collaboration using the Farmers Insurance Building in Novato Ca. as a prop for the film. A truck approaches the guard building in this clip. Painting on glass.





This 5 foot painting was produced for the ill fated Howard the Duck flick. This image could now be created digitally but back then it was painted. Detail was concentrated in the middle of the planet as the camera was to begin tight and then pull back as Howard was hurled to Earth. This matte painting was done on glass as a star field was added in the background to add a sense of movement. The planet and the star field were shot independently and then composited later in editorial.

This was one of those movie's where we read the script and you KNEW it was going to bomb. And then you would follow orders and produce the parts and planks for this "Titanic" and then watch it sink. Such is moviemaking!

Friday, January 30, 2009

Tongues of Fire


This painting goes out to Ali and Kathleen who in the same week, for some reason, wanted to see this painting I did awhile ago . Here it is folks. Thanks for the encouragement.....going through a dark and groping period in my art......

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24 x 30 oil on canvas

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Victorian means Victory?


Ever play word associations? I'm sure you do. I was thinking of the Arizona Cardinals emminent Victory and I associated it with Victorian. Which led me to a little painting I did recently of a Victorian House in Grass Valley , Ca. . If you look at it, this house looks like the architect went out of his way to create a difficult floor plan.

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Ever play a song over and over again until you hate it. Well I'm not quite there yet but I can't get enough of OZOMATLI's " Super Bowl Sundae" . Check it out on iTunes........

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5 x 7 oil on board available

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Super Bowl Sundae

This a poster by Chris Hopkins

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This poster was created by Mick McGinty of " Twice a Week"




This is a poster I licensed to the NFL way back when...


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Here in America we will be celebrating THE Secular Feast on Sunday. The Super Bowl is way more than sweaty millionaires colliding into each other and hoping to raise the golden calf shaped like a football over their head. Its about clever commercials, its about parties , its about Bruce Springsteen yelping " Baby I was Born to Run..."

Two of my buds have had the talent and skill to be chosen to paint the POSTER for the Super Bowl. Mick McGinty, of Twice A Week , http://twiceaweek.blogspot.com/ and Chris Hopkins.

See Chris's Art at http:/www.chrishopkinsart.com

I've spoken a bit about Mick but I want to introduce the Viking Man of the North...Chris Hopkins. Chris and I went to Art Center together and we have maintained a friendship all these years. Chris is a truly gifted soul. He looks more like a lumberjack than an artist. His clients have included the NFL, where he painted numerous portraits of gridiron superstars. Most notably Steve Young and Jerry Rice. He also has gained Rock and Roll fame for painting the STYX album cover. Chris brings a distinct style to his portraits and he is a master of capturing character in all that he paints. He stages and lights his subjects in dramatic fashion and it always feels right. He is also one of the kindest and humblest artists buds I have had the priviledge to know and admire.

I also have the chutzpah to add one of my posters that I licensed to the NFL next to Mick's and Chris's posters.. If you can't get hired by them, make them an offer they can't refuse.

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I predict a shocking victory for the Arizona Cardinals...score will be 33 to 6

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Thursday, January 29, 2009

The Use and Abuse of Art by Jacques Barzun


If you've been in the Art business as long as I have, you will come across a vast amount of ink time devoted to opinions about "ART". What is it? What it's not etc. Who's doing it and who isn'nt? We pay attention when artists we admire write about it and sometimes their memoirs become a form of art. Da Vinci , Delacroix , Van Gogh come to mind. A lot of us have contempt for the critic who anoints and baptizes the new art discovery. Many critics in the past have made a mark for themselves. Vasari and Ruskin come to mind. But there are some critics who bring into the public square of art opinion and analysis a reasoned and informed pedigree. One such man is Jacques Barzun.

Jacques Barzun , http://en.wikipedia.org/wiki/Jacques_Barzun was professor of history at Columbia University. He is retired now and is over 100 years old and counting! He grew up in an artistically cultured family environment and art was an important part of his upbringing. It is no accident that the mature Barzun would write and lecture about Art in 1973 when it seemed that Art was hurling horses off the cliff.

The title of his book may seem odd at first. But as a historian, Mr. Barzun is well aware of contextual paradigms. He is alluding to Nietzche's Essay " The use and abuse of History ". He mentions that the translation from the German should be " The Advantages and Disadvantages of History for Life". Therefore his book, which is a series of 6 lectures at the National Gallery in DC , deals with how Art affects Life. Does it Destroy or Enhance Life? Can it be as a Religion as the Romantics believed? Can Art Redeem us from a world we view as utilitarian and consumer driven? Are Art and Science compatible? What about Art in the Age of Unbelief? Is it a suitable substitute for God?

Here is a sampling of lines from the book.

...For Representative art does not copy, it imitates; that is, renders in such a way as to make the understanding of its subject, clearer, or more lasting.

....The trouble is that Modern Art in various ways abandoned imitation, representation, naturalism, and it now has to make out a case for its products still being truth.

...From the Romantics onward, art was supposed to deepen, enrich, distill, refine, enoble, redeem life.....Therefore to enhance life through art must mean from the outset to increase hope and self-confidence, to reduce fear and self-doubt, not the reverse.

The doctrine of salvation by Art may be summed up, then, as a path with two branches. Art by its nature expresses the deepest and best in Man. Hence it is bound to attack the wickedness of man-in-society.

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What you will find in reading this book is a grand survey of Art from a man who steps back and gives a vast and erudite explanation of what man has been up to with his lines and colors in Historical swatches. How has man Used and Abused Art? He himself is not an artist, but he is sensitive to what mankind produces and is able to put it all in context.


There are so many gems in this book that I am reading it again for the third time. The whole book is practically underlined. You can purchase the book used, like I did, for less than $4 dollars on Amazon.

Wednesday, January 28, 2009

Star Trek , The Wrath of Khan- Eden Cave painting


This matte painting is probably the first painting I produced at Industrial Light and Magic, George Lucas's special effects company. Back in 1981, there were only 3 of us in the department painting backgrounds. There was Mike Pangrazio and Chris Evans working with me.

I thought of this Star Trek painting as a result of hearing that Ricardo Multalban had recently passed on. He was Khan, the arch enemy of Capt. Kirk. The acrylic painting went through many permutations. What I thought looked cool did not rest well with the other Matte painters. This painting was never used and this image is an out take . I think it was only 3/4 finished . I had visualized this glorious Star Trek Eden Cave looking like a mystical interior cave with veils of mist and waterfalls and unusual rock formations. I wanted the lighting to be light and airy. The final painting looked nothing like this and is much darker and more ominous. Oh well...welcome to painting by consensus Frank!

I worked on 3 Star Trek features. I will look in my files and dust off the years and post some more in future posts. I know there are a lot of Star Trek fans out there.

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Tuesday, January 27, 2009

Art and the Bible


If I was in college and read the title to this book I would have dismissed it out of hand. I was not as opened minded as I thought I was. The word " Bible" has multiple meanings to everyone. To some it means Judgement. To some Truth. To some it means Fairy Tales. I could go on. You get the picture.

Our Art Fellowship Group CAF is taking up this book to study once a month. We started this past Sunday. Francis Schaeffer, the author, was a Philosopher who challenged Christians to use their talents for the Glory of God. His main premise is that the modern Church should have artists working in their Medium with a Christian World View . A view that see's man as fallen, yet created in the image of God and worthy of Significance. And since the Christian does not see life as a Darwinist does, his work should show purpose . There is Beauty in Creation and since the Creator created, we likewise create and the very act of creating is a good thing.

The one point I came away with was, Art should bring me closer to Mankind and not alienate me from my neighbor.

I will post after each meeting and we only talked about the introduction on Sunday. Maybe some of you might be open minded enough to get the book and join us. I will be asking our group to post after each session. If Sunday was any indication, it will be very lively!

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Hey Artistadores,

If you get the book and get excited about a thought the author has made, pleas feel free to keep posting on this post. I will keep it open as a hub. There is so much in the book to get your thoughts stirring and challenged.

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Saturday, January 24, 2009

My Brother's Keeper..redux


This was one of my first posts back in late October 2008...I don't really have a good photo of this 30 x 40 painting but I just wanted some of the newcomers to my site to see this.....


This painting is hanging on our living room wall. As you can probably tell, the light is raking from right to left. It's actually darker in the shadows on the right and lighter in the half tones on the left. I will be getting this done properly soon enough.


I love gardening and have bought into the Monet ideal about creating your own Eden and painting from it. The boys are in front of a field of wild flowers , sunflowers, Cosmos, Hollyhocks , onions that we all planted from seed. This was taken back in the Santa Rosa days. We lived in the Rincon Valley area on Brush Creek Road.I just loved the warm light on that side field. I could grow anything there and Luther Burbank, who settled in Santa Rosa, said the conditions for plant growth was primo in the valley. On the other hand, the region is one big pollen hive...kachewww......


video

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30 X 40 oil on linen

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Steve Kuhn Trio playing in the background. Check out his version of " Stella by Starlight " on iTunes...its an epiphany

Friday, January 23, 2009

Funny Girl


When I first had dinner with my wife's family, I was surprised to see that they enjoyed making faces at each other. I thought they were possibly trying to weird me out ( which they did ) or possibly to give me a window into their social habits that passed as entertainment. Well, my niece has the face gene in spades. I had her pose for a series of funny faces awhile back and this was one of the " normal" ones. Or should I say, one that would not embarrass her...she is a child after all and I have to be sensitive to her image. ;v) Frans Hals had a sense of humor when he painted his portraits and broke down some of the pretensions of serious Art. I'm not putting myself on the same footing as Frans, but I am tapping into the enjoyment of having fun with an oil portrait.

I let go of the limited palette for this one and went back to the 'ol palette...kinda like the Nelson Shanks palette..permanent rose, real magenta...you know...those bright cads etc.....

Have a goodly weekend and Smile! Laugh and play.....and don't forget to give thanks.


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5 x 7 oil on panel ( Halley's birthday present to be )

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Thursday, January 22, 2009

Overcast in Auburn


Northern California has been experiencing unusual spring like conditions the past 3 weeks. The daffodils are out and some of the Valley Oaks, that had dropped their leaves are fooled into thinking that Spring has arrived. Yesterday was a wake up call to normal conditions and it is raining hard today here in the Sierra Foothills.

As I looked out my window, the looming clouds enveloping the Eastern Sky were robed in Purples and grays. Wow. I wanted to paint that. No. To messy and too much time to set up. Wait a minute. Did I not order a ton of pastels last year? Yes. !!! I proceeded to dust off the ol Rembrandt and Sennelier sticks and proceeded to do 3 quick 3" mood sketches. No frills, just the tonal quality of the light. They proceed from earliest to later where the clouds are becoming warmer. Too much fun....

Wednesday, January 21, 2009

My Boys


Yesterday was a day of transition. Today is a get to work day.

I am posting a dual portrait painting of my little monsters. They were just at that age where they were manageable and angelic when they were asleep. I look at them now and just see my wallet open and being depleted. Is this why we had children? Can I get a refund? Actually , I'm just joking and I am blessed with 2 boys that are growing up to be fine men.

David, the one above the other is the youngest. He is a miracle baby as he was born 2 months premature and contacted spinal menengitis. He was not supposed to live but he miraculously survived. God has given him a strong life force and I affectionately call him the "Bulldog". He posed for about 5 minutes at which time he just walked off the set! I took a photo to finish the pose. He cannot sit still unless he's playing a video game.

Isaac is the laid back sophomore ( he was about 10 in the painting ) and is extremely sociable. Things come fairly easy to him and after the challenge is met he gets bored. For instance, he walked onto the Placer High Cross Country squad which is one of the best teams here in Northern Ca and at the end of the year had himself a Varsity letter. Now he wants to try something else. He posed for the entire portrait. Both my boys were really tanned at the time this was painted (during summer ) and they had enjoyed many a water activity.


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My Portrait Workshop will resume in the spring. If you are local, please email me that you are interested. The class has been filled at each session so please contact me as soon as possible if you want to reserve your spot. 4 - 3 hour sessions . $160.


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oil on linen.

commissions accepted.


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Tuesday, January 20, 2009

Pointing Fingers


My hope , for our country, is that we can move on and attend to the business at hand which demands much leadership. There will be those that will not resist pointing the fingers at perceived villains . God help us.

Inauguration Day




Well, we here in the land of the free and home of the brave pass the baton peacefully to B.O. Let's hope for the best.

In honor of this august event, I am posting three of my favorite presidential portrait paintings at our National Portrait Gallery. The Reagan piece was actually done for Time magazine and donated to the Smithsonian. President Tyler was an absent president, but his portrait came out just fine to show off his can opener of a nose. Bill Jefferson Clinton is painted by probably the best American Portrait painter alive. His name is Nelson Shanks and you can go to my side bar and click on the link to visit his inspiring website. I've been limiting my palette lately, but Nelson throws every color imaginable into a painting. I have a friend, Bobbi Baldwin, who took his workshop and she tells me that Mr. Shanks is definitely not limiting his palette. In fact, if you go to the section which advertizes his Studio Incaminati, you will see how many colors he asks students to purchase.

I highly recommend watching his 7 minute video


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Thank you, Thank You President Obama for not caving into the left wing crazies and letting Pastor Rick Warren do the prayer invocation. What an inspiring message and confirming that God is still in the business of caring for his people. Thank You P. Obama for selecting the Queen of Gospel Soul , Aretha Franklin, belt out " My Country 'tiz of Thee".

An thank You Rev. Joseph Lowery , for being Rev. Jeremiah Wright Lite, and closing with a Benediction that was charged with racial undertones and victimhood. Here we go again...... lingering in the past...

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Sunday, January 18, 2009

Bite me Damien Hirst



While some of us are honing our painting and drawing skills there are some hucksters, I mean artists, who think of ideas only and then call it art. These are the newly ordained Conceptual artists. There is this Brit, Damien Hirst, who made a killing with a 14' Tiger Shark suspended in a tank filled with a solution of formaldehyde. I must admit that the name is more clever than the piece. Its called The Physical Impossibility of Death in the Mind of Someone Living. Now if you buy into the likes of Kant and Heidegger then I guess Hirst is a Genius. Saatchi originally paid the young lord 50,000 pounds for the piece which later sold for around 10 million. Hirst has overtaken Jasper Johns as the richest living artista.

Don Thompson, professor emeritus of marketing at York University's Schulich School of Business and author of The $12 Million Dollar Stuffed Shark: The Curious Economics of Contemporary Art wondered...Who makes this "Art", Who sells it, Who buys it , How is the price set? and his findings are very telling.

Thompson was interviewed recently on public radio and if you want to gain an understanding of the movers and shakers at Sotheby's...then this interview is a must hear.

For openers , Who buys a $10 million shark tank? To understand this Thomson first starts by asking, who buys an $80,000 dollar purse?

click here and scroll to find Don Thompson http://www.colinmarshallradio.com/marketplace/archive.htm


My little painting is very much tongue in Shark. And trust me, My little David, has a deadly bite

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oil on board 5 x 7 inquire as to price

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Saturday, January 17, 2009

Curad Tin


I have had this old Curad tin in my possession for years. I believe I rescued it from my parents garage. In fact, there are still some bandages inside. Although I would'nt use them. Its very rusted towards the top. I am not so sure it would garner any money at an Antiques Road Show but the warm coloring of the rust works well with the cool light and the green coloring of the tin skin.


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5 x 7 oil on gessoed panel

$150 includes shipping and taxes


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Friday, January 16, 2009

A Gathering Storm




As I was driving across Arizona I was overpowered by the monumental size and breadth of the Thundercloud. These are small sketch studies and I plan to incorporate them somewhere at some point on some painting with some purpose.

9 x 12 oil on linen

the palette..titanium white, naples yellow, yellow ochre, alizarin chrimson and ultramarine blue.

Thursday, January 15, 2009

Easy Model








The second worse model after my art bud Silvio Silvestri is myself. *;v) . I was inspired to paint a portrait and since no one around the house volunteered, I ended up painting my face again. I like the practice, but I can only take looking at my face for a short while. I started at myself for about 2 hours and had some fun.


I have been studying the work of Jan Lievans and Ivan Kramskoi...Man are they good and the humanity of their subject comes through...yet the personality of the artist is also prominent...its a duality that is striking....I think their influence is starting to show...just maybe...I can dream...

Its Friday and Andy Wyeth has passed away.

When I framed this composition I wanted the center of my face to make a square using the canvas 's height as a measure.

oops! Wrong direction....


Dear Og of Blog,

You know ,some days just work out the opposite of how you intended it to go. Its like the John Lennon quote...Life happens to you while you're making other plans. I was ready to paint the American River fork. I had set up my french easel and I realized I had forgotten my paper towels etc. I was so bummed. So I packed up and went scouting around for new locations and turned a seemingly frustrating morning into a positive outcome. The light was just gorgeous this morning.

I am posting an actual photo of a small bird that was not capable of adjusting to his circumstances. This is not Photoshoped. This little guy actually headed the wrong direction and became a metaphor on the grill of our Jeep!. Thanks for your ear oh wonderful Og of Blog.

Positve#1...I am determined to have my Plein Air ensemble separate from my studio stuff. This constant unpacking and packing is screwing me up. I am naturally absent minded...ask Mick McGinty ( our D.C. Trip )...he got a full dose of my forgetfulness and hyperness.....thanks again Og...now go to sleep

Wednesday, January 14, 2009

Mello Shello


I painted this a couple weeks ago...or maybe 3 weeks ago . Quien sabe? I just had some nervous energy and painted this before I ended the day. I am not too wild about it ...but I just wanted to post it.

I know these titles are corny...my 16 year old and my wife are embarrassed for me...but I can't help myself ;v/...okay here's my defense. I hung out at Art Center with an Advertising student for 3 years . He was always coming up with catchy ad titles to get peoples attention. Often after a couple beers, I would join in with him and think up stuff. It has rubbed off....

Mountain Quarries Railroad Bridge



At the North fork of the American River is a bridge that was used extensively while American River Quarries were in operation . Today, the old reinforced concrete bridge is a sentinal of land use activity gone by. Only people and horses dare walk across this bridge anymore.

I scoped out my painting spot at lunch yesterday. Took a photo of what I thought was an interesting angle and where I thought the light showed off the bridge well. I came back to my studio and drew the layout on my Senso Linen. I came back today, wife in tow, and came prepared with a limited palette of Ultramarine Blue, Alizarin Crimson and Yellow Ochre and Titanium White. Jana told me it took me about 1 1/2 hours. I was not going for detail, just the feel of light and shadow and that warm California light that is great to paint with this time of year. That water is super cold as it is flowing down from the Tahoe Mountains.

More and more I am learning in the field to mix the right tone and lay it in thickly and quickly. I am learning to trust myself and be confident with each brush stroke. The gesture is really important to me and over blending and taking too much time, often times for my personality type, ends up in an overworked phinicky painting.

Tuesday, January 13, 2009

Painting out of a problem


I arrived late to Mondays painting session and I quickly discovered that the spot opened to me was a so-so angle. I started to draw small ink compositions. But nothing excited or inspired me. What if I turned the painting side ways. No..how about a vertical composition?. After about 8 small sketches I was stumped . Nothing worked. I soon realized why this spot was not taken. I was quickly thrust into a painting funkarama. I was getting that panicky feeling. I had driven forty minutes and was going to come up with crapola...the breakfast of chumps. Seeing my discomfort as I was complaining about being stumped ....Steve, my other paint bud , gave me an inspiration helper. It was your standard 8 x 10 cardboard with a 2 x 3 ( roughly ) rectangle cut out of the center. Its is a great tool ( like looking through a camera ) to arrange possible compositions in the field.

As I moved it around. my first inclination to paint this model horizontally was changed as I was moved by an interesting composition. I came prepared to paint a " Model " but this view showed me that I had to adapt to what was in front of me. How could I make this interesting? I liked the blue light coming from the window and the blue reflection off Bobbi's beautiful cherry wood floor was dramatic. I then realized how I could tie it in with Miya's blue dress. Why not concentrate on these shapes and work with the warm yellow key light set on her upper body? Now I was inspired and I had my composition.....thanks Steve

I had read Gurney's post about a painter who had used 3 colors to paint this beautiful landscape. I then decided that his palette might fit this challenge. Therefore, since this was turning into stretch the conventional wisdom day, I used Ultramarine Blue. Purple Madder and Gold Yellow Ochre and Titanium White . I started to use Flake White but I wanted a brighter white for more range.

I still don't know if this is any good...but it was a challenging learning experience. 3 hour pose , oil on linen

Saturday, January 10, 2009

The Most Beautiful Woman in the World

My Mother. Te Amo...xxxooo

Sunday. 1. Thanks Mom for driving me to art lessons and riding on the bus with me to those same art lessons when the car broke down. I see now how big a sacrifice that was for you.

Monday.2 Even when things looked financially bleak growing up, you somehow had a way of remaining positive . I get that from you.

Tuesday 3. I loved how you laughed and enjoyed being around people. I learned from you how to approach strangers and make them friends.

oil on linen 16 x 20

A Day in Cool

9 x 12 oil on Senso linen


It was retro time on my iPod playlist and I powered up some funk with " Tower of Power". Listening to " You got to Funkafize" will really make you swish that brush! And that final push was powered by the L.A. band " Ozomatli".


Here in Placer County we have really cool people. I was painting with my Art Buds in the town of Cool off HWay 49 on Friday. The area is remarkable in that there is plenty of open space dotted with Valley Oaks, Barns and Rolling Hills with the occasional grazing horse. Being that it is January, the land is mostly brown but there is a beauty there if you look hard enough and see the golden colors and purples in the landscape.

Edgar Payne talks about being very selective when you paint outdoors. In fact, he recommends moving and eliminating trees in order to achieve a good composition. One compositional element is the fulcrum. The barn on the right is a prominent rust and is balanced by the small emerald green shed on the left. I wanted the eye to go past that little shed toward the distant hill . So I eliminated some straggling live oaks around it.
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$320 oil on linen

includes shipping and taxes

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Thursday, January 8, 2009

Walking by Faith


Maybe there was a reason that God told Adam and Eve not to eat the Fruit from the Tree of the Knowledge of Good and Evil. Could it be that Jack Nicholson's famous line in a movie " You can't handle the Truth" holds some Truth?

As I was laying in bed the other day, rudely awakened by " Armstrong and Getty" , the local talk jocks that are actually quite funny, I was jolted from a good nights sleep to the reporting of how bad the economy was. Everything was negative. Wars and more rumors of wars. Rapes, murders and swindlers bankrupting retirees of their life savings and families who had lost their homes to foreclosures after they had lost their jobs. The job market was bleak and men were committing suicide after losing all their accumulated wealth. The bad news seemed to have no end or bottom and it occurred to me as I was huddled under my warm covers that we now live in an age where we have so much information outside of our immediate communities that this knowledge increases our sorrow and sense of helplessness.

What am I to do with all this godlike awareness? Is ignorance bliss? Should I park my behind beneath the Bodhi Tree and wait for enlightenment? Should I Escape this land of tears and absorb myself in a world of Art like the Romantics? Or could it be that I was not programmed to handle all this knowledge? Maybe, as Soren Kierkegaard postulated, it was the Knight of Faith, who was the person who truly was alive and trully committed to being fully human and real. Maybe I was wired for "Good News" and the walk of Faith was the key that unlocked the door to true joy....hmmmmmm

This is Fridays post and have a meaningful weekend.

Now for my artists friends..This painting is a fun technique when you need to work under a tight deadline and want an old world look. The painting is laid in a tonal value wash of Burnt Sienna. Getting the values right tonally is key. Then while the oil paint is still wet ( after it has set for 10 minutes), add some color over the underpainting. The underpainting will mix with the top layer and give a cohesiveness to the painting.

My Calla Fornia


Its dark and gray and overcast and foggy and cold and.......and I just needed to upload something Spring like to remind me that good times are just around the corner. Thank You Lord for seasons!

I love growing my own plants and painting them. This Calla Lily was thriving in my backyard. Enjoy the sun old friends.

9 x 12 oil on Senso linen

David and his Goliath


This is a project that I am currently finishing up on. You can see the various visual props that I use to create an illustration. I am also using a very limited palette to create a serious and tense mood .

The detailing on the sword sheathing and ground still have to be finished. I go after the overall color arrangement before I tackle the detailing.

Wednesday, January 7, 2009

Star Wars Wednesday


One of the hits in Jedi was the Ewok Village. I had an opportunity to paint a scene for the "Ewok Movie" that was made for TV. This shot is an actual traditional matte painting on glass. The live action is composited with the oil painting through a process known as rear projection. The artwork has a "hole" where the live action scene can be captured by the filming camera. There is a part of the painting that is actually scrapped off to expose clear glass where the projection will pass. The matte painter then has to match the colors and mood of the live action with his painting.

The warm area in the middle , inside one of the Ewok dwellings , is the element with actors that is filmed full size on a set. It is then shrunk to fit inside this composition so that the resolution is crisp. The railing that is in front of the hut opening is a painting which adds to a sense of reality ( of a very unreal world ) and the light that is painted on the decking outside the opening finishes off the illusion.

The mood for this scene was important. We had a term called " Production Value". It meant painting a scene where you established the mood of the environment as best as you could with all the bells and whistles the scene could subliminally communicate to the viewer. The painter was striving to achieve the " wow" factor. It was a good ideal to aim for. This clip was on the air for no more than 5 seconds.

click on the image to enlarge

Tuesday, January 6, 2009

Neglected

This painting was done for a magazine article about neglected youth. I chose colors that I would never use for a normal portrait . I wanted the young man to look likeable but at the same time also seem that something was not quite right with him. The models head was posed looking downward and then he looked up at me, not quite sure if it was okay to do so. It was then that the model gave me the expression I was looking for.

Oil on canvas

Monday, January 5, 2009

Gus , a portrait in unbelief

oil on board 5 x 7 click on the image to enlarge


Years ago, when I was starting out in Pasadena , I had a studio on Raymond Ave. The building was old and decrepid. My rent for a small studio was $50 a month. The building was in a state of disrepair and was being remodeled to become "rentable" ( other than to starving artists). The owner allowed two alcoholics to sweep around the place and they lived in one of the office spaces that was pretty rundown and bare to the studs.

I got to know one of the 2 men, whose name we shall call Gus. He was in his 50's but looked much older. Have you ever heard people complain about Christians and how their lives are no different than other peoples lives and for the most part they are hypocrites? Have you heard people say " If that is being a Christian, I want no part of Religion!"

Well, at the time I knew Gus, I was an avowed Atheist. Gus was also an atheist. He was an educated man who could speak on many subjects and could quote Nietzche. I believe I have, in all my limited time on this earth, never met a more bitter man who disliked people and society. I would have discussions with him, when he was sober, and he was brilliant in finding reasons to be bitter and angry at the world and at people who had let him down. You could say he was one of the many reasons that I rejected being an Atheist.

It took me about a year to gain his trust and have him allow me to photograph him. As I was painting his portrait recently, his stare haunted me. I saw his pain and anger and I wondered what happened along the way?

Sunday, January 4, 2009

Reliquaries by Al Farrow




Most art museums will exhibit artists whose work display a social conscience. Their job in life is to show us what is wrong with us and society. Of course, we are to assume that these art sages have been cleansed from the dross over their souls and eyes, or at least enough to show us glimpses of the Promised Land. Such is the current exhibit of Al Farrow ( his name reminds me of Al Jazeera ) , a sculptor who has produced a series of reliquaries judging the intentions of organized Religion. He has fashioned Religious artifacts out of bullets,casings, guns, BB's and other vehicles of distributing a piece of lead. The show displays 3 scaled model structures that represent 3 religions, Christianity, Judaism and Islam. One is immediately struck by how well these models are constructed and designed. Its no easy task to make a scale model of a Cathedral out of bullet casings and machine gun parts.

Since I had never heard of the artist, I read the little sermon on the wall, which gave the hoi poloi reasons why this was important as well as some thoughts from the artist himself. What you read is the usual fare about Religion being used as an excuse to wage war and the miscues of the Catholic Church ( he has to go back 600 years to make his case ). There was no mention of Islam or Judaism and the misdeeds of these Religions. I wonder why?

The part that made me chuckle was the last part of the sermonette where the artist sez..I really don't care what you think as long as you think. Right. Most artists are not very deep thinkers and me thinks Al should do a little more thinking.

As I listened to an old man recite some thoughts of his on NPR this morning he said " I wish we Jews would have had guns to defend ourselves against the Nazi's" ( not a direct quote but you hopefully get the picture). Me thinks Al should look at some of the CURRENT conflicts, like the Sudan, and help stop something that is happening NOW.

Saturday, January 3, 2009

Close Ups from the National Gallery










Can you guess some of the originals and the artists who painted them?

The De Young Museum







A
day at the De Young after the New Year is a crowded experience. But not to worry. Your brave blogger fought off the elements ( it was raining ) and the elbows to the ribs to get some close up shots of some beautiful artwork. I took about 200 plus photos. I love digital. In the old days, getting 200 photos developed would cost you an arm and 2 legs.

The renovation of the 2nd renovation of the De Young has raised eyebrows and opinions on top of opinions. Let's say the Architect went for broke and did his thing. The building is a foreboding brown copper like skin that is aggresive in its lack of ornament and frills. It's trapezoid kingdom meets Darth Vader's Imperial Cruiser. If a missile launcher was perched on top of the roof, it would not look out of character. Inside is another story. For the most part, the exhibits flow pretty well and there is definitely more room to move around than the old De Young.

I photographed a series of closeups so that you could see how 2 artists handled their paint application. Sargent's painting " Trout Stream in the Tyrol" is wonderful from afar and closeup. He delights the eye with thick impasto palette knife applications of paint. Its as if you can see a big smile on his face as he liberally applies paint to his canvas.

When I saw the William Kieth from afar, it caught my eye because it reminded me of Marin, around the San Geronimo Valley. I was so thrilled when I read on the description that it indeed was painted in Marin County. He really captured the mood of the hills. But as I approached the painting, I was mesmerized by how loose and painterly it was. He controlled scumbled paint brilliantly.

Wanna see more...I gots alot more!