
Greetings Dear Reader,
Today I write about a painting that speaks deeply to me. I first encountered this painting by Jules Bastien-LePage at the Milwaukee Art Museum. I was so struck by its simple yet powerful composition. My eyes met the gaze of the man who was walking towards me from inside the painting . It was if he wanted to communicate something important, immediate to me. Why did it have this affect on me? Was he carefree as the child at one time? Was he working so that the child could be free to rhapsodize amongst the beauty of the Forest? Was he missing the beauty of Nature as an adult and wishing he could be lost in the attraction of the wildflowers? There was so much here to philosophically harvest.
I happened to be with a friend of mine who is now a professor of Art at a Lutheran College. He admired the painting but was affected most by the Rothko which was on exhibit. We had a mild disagreement as to the validity and importance of the Rothko painting but in any event the painting moved him as deeply as the LePage moved me. Why?
He sent me a postcard with the Gatherer on the front and this is what he said...
Frank. Visited the Milwaukee Museum yesterday. Said hello to the Rothko for you ( and the Bougereau ). This painting makes one ponder-Am I the carefree youth or the burdened old man? Either way, I'm walking in the Woods , huh. Enjoy the youth of your boys, my friend. Paul
What strikes me most about narrative allegorical Art is that the viewer's imaginitive and emotional passions are engaged and challenged. Something is being said that must be resolved if we dare to engage the proposition. I liken Narrative Art to music with words. Once words are added to melody, the meaning of the song is clearer and an idea is fleshed out for the listener. I liken Abstract Art to Music without words. Just as valid but open to various interpretations as there are no words to communicate thought.
But not all critics were enamored with the power of LePage. I have several old Art History books in my collection. In " A History of Painting" by Haldane MacFall ( 1914? ) attempts to chronicle the movements of Art by Country and Race. A curious but frequent habit at this time. The several volume account is note worthy as the preface is written by Frank Brangwyn considered by many at this time to be a giant amongst his peers. In the following passage the author dimisses Bastien-Lepage out of hand.
"Born at Damvillers, the son of a farmer , Bastien-LePage came out of the glamour of Millet. Bastien-LePage wrought his art out of doors without the genius and epic gifts of Millet....unfortunetly LePage led the way for the wide practice of photographic painting, not only in his own country , but in England.
But before the torch was born to further heights, it looked like being quenched in a shallow stream of photographic Realism through Bastien LePage. "
If we fast forward today , what would this Victorian critic think of the Photo Realism of a Ralph Goings or Richard Estes? A new tool was introduced and the writer missed what was being communicated by the method used by the artist.
A painting can stop us in our tracks and remind us about what is most important. As we toil, I hope we don't forget to enjoy the flowers around us.